Every title below is written. Some are shot, one is out, and the rest are in the queue in the order you see them. Statuses on this page are updated by hand, not by a wish.
Chaotic television static. A hard cut to still white light. One question. No dialogue, no medication on screen, no before-and-after, the whole argument in the length of a held breath.
A fire captain squares up to a wall of wildfire at night, reaches over her shoulder for her tool, and comes back with a pink plastic squirt gun. Card: Willpower was never enough.
Two identical red minivans meet on a leafy street, windows down, golden hour, shot like a luxury car ad. One driver starts a polite question. She does not get to finish it. A hardcover completes the sentence.
A 1920s silent-film super-cut in nine cards. A nosy party guest asks the question. Our protagonist answers with a cracker, a puff of smoke, and an exit. Ragtime piano, 18fps, one wet slap.
A dead-straight 1990s corporate how-to video teaching one skill: how to disappear into a cloud of sass and glitter when somebody asks about your body. Three tactical moves, demonstrated.
The campaign trailer for the book. Type, props and paper on a kitchen table. No stock footage of real people, no numbers, no medication on screen. Scripted shot by shot with a clean cut and a vertical cut alongside it.
The podcast. Season one is written, twelve episodes taking the book's argument out of the page and into a room where somebody can talk back.
A daily live show about spending less without being lectured at. Two people, one kitchen, a clock and a budget. Built for the stream, cut for the feed.
Finished, delivered, and running somewhere a stranger can watch it right now. If we say released, we will tell you where.
Shot list locked, assets being generated or shot, sound in progress. There is footage. It is not cut yet.
A finished script or a full treatment exists on paper. No footage yet. We would rather say that than call a document a film.
Most of the slate above was made for our own books and campaigns. The studio takes outside work when the work has something to say. Tell us what it is, who it is for, and when it has to be out.
